Mahabharata Part 3 / Kurukshetra War
Created in Indonesia 2016
Descendants of the Bharata tribe who draw the same bloodline, the Pandu family and the Kuru family deepen their conflicts over their throne, and with the dice game betting incident the groove will become deep enough to be no longer filled. The five prince of the Pandu family who was forced to escape in the woods for 13 years, seeking to recapture the kingdom, finally the fight of the fight will be dropped. King Dhritarashtra can no longer stop the fight that his own sons are entering.
In the third part of Mahabharata depicts the battle of Bhagavad Gita, which is regarded as one of the most important chapters of Mahabharata, and Kurukshetra War.
【Hiroshi Koike comment】
Human beings are incomplete creatures no matter how far they go. And because of its incomplete, it is now even in the question of whether it is even possible to survive the seed. Even in such a state, I run hard in the immediate interests. Being foolish beyond foolishness, this comic is not a substitute that can be laughed and it is extremely dangerous wearing a very bizarre appearance. If the survival of the fittest is the prescription of the world mankind will not survive as a fittest. The destruction will progress unilaterally, unless it has increased sociality far more than now, and has not a person's perspective as a whole, not an individual.
Before at least we thought that human beings are the most excellent living things, people had different perspectives of seeing people relative. It became a myth and formed a shape. "Mahabharata" which was written thousands of years ago is one of them. The excellent point of this story is that it is the theme of extinction. It begins with the story of the gods and leads to ruin.
This time is the Chapter of War.
While in Tokai Musical University, started Bali Dance on top of the study of sound scape. Went to Sekolah TInggi Seni Indonesia in 1995. Studied under various modern Bali dance masters, affected not only dance skills and also spiritual thought. In 2006, moved America by grant of Asian Cultural Council. Played "Gulliver & Swift" , "PUNK Don Quixote" , "Snow White" in PAPPA TARA HUMARA,and "The Restaurant of Many Orders" ,"Odyssey of Wind" "Mahabharata chapter1 2013", "Mahabharata chapter2 2014" in KOIKE HIROSHI bridge project.
She started ballet when she was 7 years old. From 1982, she belonged to ballet school. She studied underAsami Maki. Graduated from Nippon Woman Sport University. Studied pantomime under Junzo Ohta.From1989, she joined Pappa TARAHUMARA.Since then, she participated almost all of performances ofit in Japan and abroad. She played the role of Cinderella in "Cinderella", the role of second sister in"Three Sisters", and the role of stepmother in "Snow White". She joined performances in 35 countries,and her performances have received recognition all over the world.
Gunawan was born in Jogjakarta, April 10, 1976. He is a director, an actor and a writer. Many of his works were his reinterpretations of Javanese literatures he has been intimate with. His poetry anthology Sejumlah Perkutut buat Bapak (A Number of Turtledoves for Father) won the Khatulistiwa Award 2010. He's been involved in most of the important works of Teater Garasi, whether as a writer or an actor. Since 2010, he and Joned Suryatmoko and Lusia Neti have been running Indonesia Dramatic Reading Festival. The last movie in which he played a role is Istirahatlah Kata-Kata (Solo, Solitude), directed by Yosep Anggi Noen.
Starting his dancer and choreographer career in Jogjakarta from 2003 till 2010. During that year, he joins dance performance production with many artist/group like Besar Widodo, Anterdanse, Bimo Wiwohatmo, Miroto, Didik Nini Thowok, Padepokan Bagoing Kussudiardjo, Purawisata Dance, many more. With his strong traditional dance background and Acrobatic dance such as Aerial, Fire, Acrobatic, make him join with many international project or collaboration works; Miura, Snuff Puppets, Mao Arata Project, JCDN and also perform in many International Dance / performance festival. Now he works and lives in Bali from 2010 as dancer, choreographer and creative with J CORP Stage Company and main dancer in Devdan Show.
Sandhidea Cahyo Narpati
From the traditional theater Ludruk background, Sandhidea began his art journey. From there he studied acting, singing, and of course dancing. His desire to learn performing arts is strongly supported by his parents, thus strengthening his desire to study in Art Institute of Indonesia, Surakarta in the Department of Dance. His dancing and singing ability has attracted several choreographers to cooperate in their works even before he graduated. His typical work is a contemporary dance that present dancing and singing in his local art (East Java).
Riyo Tulus Pernando
Riyo Tulus Pernando derived from Bangkinang Kampar Riau Province ( Sumatra ), began to be interested for Malay dance since 2006. In 2008-2011, went to college diploma in Riau Malay Art Academy (dance department), and join a dance company with traditional malay dance background from tamengsari in Pekanbaru. In 2012, he moved to Solo for continuing his study in the Art Institute of Surakarta, Indonesia (dance department), and also studied contemporary dance along with a lot of basic dance traditions that exist in Indonesia obtained, such as central Java dances (Solo , Banyumas), Yogyakarta, East Java, Bali, Padang. He also learned non-traditional dance, such as Salsa, Chacha, Africa Dance, and etc. While in Solo, as freelance dancer, Riyo many times followed the work of contemporary dance work with famous choreographer like Dr Eko Supriyanto S.Sn M.F.A (ekosdancecompany).
Carlon is a senior artist - teacher of the Philippine Education Theater Association (PETA). He is an actor, dancer and choreographer for television, film and theater. He trained under the national artist for dance RAMON OBUSAN. He was one of the delegates from the Philippines who attended the Bread for the World Festival in Germany back in 2011, and was part of the touring cast in the Mekong Performing Arts Laboratory in Cambodia in 2010. Carlon performed in Japan, Korea, Singapore and other southeast asian countries for dance and theater productions. Dancer of Kobalt Works's COKE performed in Manila, Antwerpen, Belgium, Amsterdam, Nethearlands and soon in other part of Europe. Some of his achievements were the 2011 Gawad Buhay PHILSTAGE awardee Outstanding choreography for a play or musical "CARE DIVAS" and the 2009 GAWAD BUHAY PHILSTAGE awardee Outstanding choreography for musical production "ISMAIL AT ISABEL"
LEE Swee Keong
Learnt Ballet & Contemporary dance in Malaysia, established NYOBA Kan, Malaysia’s only Butoh dance company, fusion of meditation and ZEN philosophy, 1995. "JUNIOR WHITE" , "Curfew" and many stages. In 2000, choreographed musical edition of "Siddhartha" in South Africa. Invited by INTERNATIONAL ARTIST PROGRAM in 2001. Performed "Mahabharata chapter1 2013", "Mahabharata chapter2 2014" in KOIKE HIROSHI bridge project.
· · · Yogyakarta Taman Budaya Yogyakarta
· · · Jakarta Taman Ismail Marzuki (TIM Hall)